Drawing Archive is a loose collection of smaller sketches, studies, and conceptual drawings made over time. Some are observational, others more symbolic and conceptual.

Untitled (Triptych) was made between 2002 and 2004, inspired by a friend who carried a kind of quiet distinction.

It wasn’t about what he did or achieved. It was about presence. Even in a crowd, you could feel him moving differently, like he wasn’t pulled by the same current.

These drawings are a study in direction, separation, and the subtle confidence of choosing your own way, while still being seen, and respected.

Revisited Studies began as a set of drawings made in 2020, mostly studies after Rembrandt, along with one study after Thomas Cole’s The Oxbow. The Oxbow stayed with the set because its dramatic light felt unexpectedly Rembrandt-esque to me.

What drew me in was light, not just as illumination, but as emotion. I’ve carried that fascination for years, ever since seeing Rembrandt’s work in person and feeling how deeply it could hold presence and humanity.

In 2026, I returned to these drawings with new eyes. The revisions aren’t only technical, they reflect a shift in how I see. This series is a record of that change, the same sources, revisited through a different self.

Tally & Chaos is a series of pages I held onto from my sales-job years in the late 2000s.

Each sheet starts as a log, an attempt to measure the day, calls, hours, numbers, repetition. But the margins always take over.

I’ve always had two instincts running at the same time. One wants structure, tracking, progress, and proof. The other wants wandering, symbols, fragments, and play.

These pages caught both.

They were made during long stretches of repetitive work, when I was measuring productivity by the hour and filling the empty space by impulse. The left side is control. The right side is drift. Together, they feel more honest than either one alone.