A loose archive of drawings, including early sketches and later work in charcoal, pencil, and oil pastel. Some pieces are observational, others more conceptual. A few works are grouped into small series.
A loose collection of smaller sketches, studies, and conceptual drawings made over time. Some are observational, others more symbolic and conceptual.
Inspired by a friend who carried a kind of quiet distinction. It wasn’t about what he did or achieved, it was about presence. Even in a crowd you could feel him moving differently, like he wasn’t pulled by the same current. A study in direction, separation, and the subtle confidence of choosing your own way while still being seen, and respected.
A set of drawings made in 2020, mostly studies after Rembrandt, with one after Thomas Cole’s The Oxbow, which stayed in the set because its dramatic light felt unexpectedly Rembrandt-esque. In 2026 I returned with new eyes; the revisions aren’t only technical, they reflect a shift in how I see. The same sources, revisited through a different self.
Jan Six Rembrandt Study Original
Jan Six Rembrandt Study Revisited
Rembrandt Self Portrait Study Original
Rembrandt Self Portrait Study Revisited
The Man With The Golden Helmet Rembrandt Study Original
The Man With The Golden Helmet Rembrandt Study Revisited
The Oxbow Thomas Cole Study Original
The Oxbow Thomas Cole Study RevisitedPages I held onto from my sales-job years. Each sheet starts as a log, an attempt to measure the day: calls, hours, numbers, repetition. But the margins always take over. One instinct wants structure and proof; the other wants wandering, symbols, and play. The left side is control, the right side is drift. Together they feel more honest than either one alone.